“Depression and Obsession don’t mix” this statement plays as more than a lyric, XXXTentacion seems to embody this duality. While previous tracks lean toward ‘screamo Hip-Hop’ his debut album “17” plays as an Alternative Rock album with no resemblance to his breakout single ‘Look At Me’.  As the 19 year old rapper states immediately at the beginning of the album that with this work you are “literally entering his mind” we must first look at the human, or perhaps conversely the music forces us to look at the human. Stereotyped as the ’emo kid’ of Hip-Hop, X ironically shatters the archetypal emo image. As Kurt Cobain, the iconic Grunge rocker of the 90s, embodied the teen angst and aggression of a generation of social outcasts of that day’s youth we saw Kurt as the loser, the nerd and the bullied kid. As the kid physically and emotionally tormented and withdrawn Cobain’s anger seemed obvious. X at both seems to be the bully and the bullied all at once, a quick YouTube search will reveal a kid who has been, before the fame, winning more fistfights on camera than any teenage ‘loser’ ever dreamed of. X’s only L on camera actually comes from a blindside sucker punch. How could a young kid making money on tour (prior to the success of ‘Look At Me’), knocking people out, getting girls, and having access to a level of ‘fame’ most withdrawn kids only wish for be emo? He defies his own identity, a product of the internet generation he, like many musical act’s musical tastes (with access to any genre and any time period), combines polarizing cultures and ideologies.

“Look At Me” is fueled with angst and violent hyperbole but don’t let that sonic sleight-of-hand distract you X’s depression stems from deep roots. The opening track on “17” “Jocelyn Flores” is dedicated to a girl in his life he was involved with who took her own life. Subject matter isn’t the only avenue in which X differentiates himself from his Hip-Hop peers, production on “17” doesn’t reach for the popular producers. There are no club bangers, no lit tracks, no Metro Booming beats, and the only feature is Ohio rapper Trippie Redd. X’s rebellious attitude fits right into his art, he seems to pay no mind to Industry standards. Guitar tracks, some completely acoustic, boom bap drums and dark piano chords are the only sounds the listener will get on this album, and it comes off as pure genius. No 808’s or Hi Hat 32nd note patterns, X keeps his art completely unique and true to self. With the vocals removed some tracks could easily be rider music or, ironically, a forced Drake love song filled with crooning or rehashed Pop rudiments and staples over top experimental production. ‘Everyone Dies In Their Nightmares’ is smooth, excluding the actual content which again is testimony to X’s internal dichotomy, he manages to implement a flow on top of this track that reminds the listener he is still a top tier Hip-Hop artist somewhere in his psyche.

‘Revenge’ plays as half back road blues and half slowed down demonic Pop-Punk. X, consciously or unconsciously, embraces the Punk Rock soundscape keeping “17”‘s entire running time at 22min, songs are rarely even 2 minutes and none ever touch  the 3 minute mark. For the debut of such a troubled and controversial artist he manages to release a truly unique and artistic LP that will surprise many and also convert many listeners who were put off by the polarizing sound and delivery of  tracks like “#ImSippingTeaInYoHood’. ’17’ shows tremendous maturity and growth and also a fearlessness to evolve without hesitation.

Rating 8.9/10

Martin X ‘SE7EN’ EP

Martin X returns with an introspective new EP and as he reveals all he lets you know “no one’s perfect”. Listen below for the full project.

JAY Z ‘4:44’ Album Review

Hip-Hop is coming of age with every release, a genre rooted in youth culture ironically has it’s first iconic worldwide star in one of it’s elders. JAY Z who most fittingly grew up side by side with the genre, born just a few years before Kool Herc threw his first party, has become Hip-Hop’s Mick Jagger or Paul McCartney. A wide reaching figure that fans of other genres, whether fond of the culture or not, know by name simply off his fame. Even more ironic JAY Z has solidified his status in a culture based on counter-culture impulses and anti-establishment angst by paradoxically, and perfectly, playing the game of capitalism and simultaneously pandering to the pavement, concrete, and streets that are naturally the home of Hip-Hop’s true residents- the people. In this pseudo-politically correct climate most would jump at the chance to criticize such an artist, contradicting oneself is the one thing the masses can attack viciously with a clear conscience today. To the contrary JAY Z brilliantly unveils a unique perspective on a system that benefits tremendously on entire communities being ignorant to the rules of society. On ‘4:44’ JAY touches on capitalism, generational wealth, Hip-Hop culture’s generational civil war, legacy and most honestly his marital infidelities.

In a time where Snapchat, Instagram Live, and Periscope make celebrities personal lives more public than their public lives, cultural heavy weights like Kanye, JAY-Z, Beyonce and others scarcely use these apps. ‘4:44’, the title track, is a lift of the curtain, strategically piggy-backing off the ‘Lemonade’ narrative JAY bares it all in one of the most honest tracks of his career. Self-loathing, regret, and depression are not emotions we are used to affiliating with the gods of this genre, the revelation of JAY’s flaws make him, to most people’s disbelief, appear actually human. ‘Kill JAY Z’ continues this trend, JAY gives the listener a glimpse into the turmoil in his life, a genius’ mind sporadically dealing with his many multi-dimensional dilemmas. If his thoughts of ‘letting the baddest girl in the world get away’ aren’t weighing heavy enough on his mind then the apparent mutiny of his one time mentee, and present day musical icon, Kanye West add on to equate to a mesmerizing mental load. One of the underlying themes in their disagreement that may be effecting their relationship is Hov’s financial philosophy ‘what’s better than one billionaire? -Two. Specially when they’re the same hue as you’, Kanye stepping away from his Tidal deal may have cut deeper than the words he spoke while floating above fans several months prior.

‘The Story Of OJ’ finds JAY Z trying to lead his people out of the darkness, leaving a more thorough ‘blueprint’ than he ever has before. ‘Oh these people is gonna kill me! .. cause the more I reveal me the more they afraid of the real me.” The cost of truth is heavy and at the top of the game JAY no longer needs to equivocate, his view point is clear, so clear musical god Prince sat with him ‘eye to eye’ and they left in agreement. The track ‘Legacy’ plays as a farewell and doubles as the final bullet point on his financial philosophy not just his musical memory. JAY makes it clear that leaving behind wealth to his family and inevitably his people is the true mark of success.


Rating: 9.0

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