Texas guitarist, Gary Clark Jr., released his third studio album, ‘This Land’, last week. The artist has spent the last few years translating his mojo into studio statements and seemingly failed to capture the thrilling dynamics of his live shows in his previous albums — 2012’s ‘Blak and Blu’ and 2015’s ‘The Story of Sonny Boy Slim’. Clark Jr. finally conquered the pitfalls that held him back all these years. His latest album serves as evidence of the singer-guitarist embracing the possibilities of studio production rather than resisting the expressive challenges. His studio experimentation consists of eighties R&B, funk, rockabilly, punk, reggae-inspired bass synths, keyboards and samples to replace his extensive guitar solo’s that he is known for in his live shows. The 35-year-old has never had more to say thanks to his updated studio experimentation methods that led him to a flux of songwriting. “Exploitation wants me to be the same,” as he puts it. “I don’t want to.” In the album, Clark narrates stories of success, marriage and fatherhood and, for the first time, his longing for social justice. The artist stated that he was concerned about coming across as the stereotypical angry black man at first, but he realised that it was more important for him to be honest and authentic. Listeners will be confronted with traces of Clark’s earlier music influence such as Sly & the Family Stone, Curtis Mayfield, Luther Vandross, Whitney Houston and Stevie Wonder. He is currently on tour for the album and was quoted saying, “I’m singing like I never sang in my life before. I’m going to be exhausted after this but it’s time to put it all out there on the table.”